History Gallery

Stella Ross Craig, botanical artist

Stella Ross-Craig, born in 1906, received an early induction into plant life from her father, a botanist, who taught his young daughter to identify wild flowers. At 18 she enrolled in Thanet Art School and attended evening classes in botany. In 1929 she began contributing to Curtis's Botanical magazine and went on to submit more than 300 illustrations over the next 50 years. Her virtuosity for working in black and white is most effectively displayed in what is probably her most exceptional work "Drawings of British Plants". Produced between 1948 and 1973 it includes all native species excluding grasses and sedges, comprising 1316 plates in 31 parts

© RBG KEW

Matilda Smith, botanical artist

Matilda Smith, Joseph Hooker's second cousin, began training as a botanical artist in 1877, at the age of 23, and remained in Kew's employ for 45 years, producing more than 2300 drawings for Curtis Botanical Magazine. She became the Civil Service's first payrolled botanical artist. In 1916 she became president of the Kew Guild and in 1921 was accepted as an associate of the Linnean Society, only the second woman to receive this honour. Hooker's second cousin, began training as a botanical artist in 1877, at the age of 23, and remained in Kew's employ for 45 years, producing more than 2300 drawings for Curtis Botanical Magazine. She became the Civil Service's first payrolled botanical artist. In 1916 she became president of the Kew Guild and in 1921 was accepted as an associate of the Linnean Society, only the second woman to receive this honour

© RBG KEW

William Dallimore

William Dallimore (1871-1959), known to his colleagues as "good old Dallimore" was a well-liked and long serving member of staff at RBG Kew for more than 45 years. He joined Kew as a student gardener in 1891, aged 20, and worked in the Palm House, the tropical Propagating Pits and the Arboretum, of which he became foreman (now termed curator) in 1901. This undated photograph shows him as a young man, possibly in his student days, carrying tree-pruning equipment. He later became Keeper of the Museums, established the Wood Museum and supervised the development of the National Pinetum at Bedgebury. He was regarded as one of the leading authorities on trees and shrubs in the UK

© RBG KEW